Nils Rurack

Sometimes great things happen. For example you write a CD review and the band that recorded the CD reads it. And then they ask you to leave the past behind and focus on their latest release. Who am I to turn them down? I feel honored. The band I'm talking about is 24-7 Spyz and the topic of today's review is their 2006 release Face The Day. The band was separated for several years between 1998 and 2003 when they reformed as Jimi Hazel on guitar and vocals, Rick Skatore on bass and Tony Lewis on drums. They released a DVD in 2005 before recording and releasing Face The Day in 2006 with new member Tobias Ralph on drums. Bare the title in mind when this CD hits you like a brick wall with the high-energy punk-rock opener Unknown Wellknown. While it makes sure you are awake for the rest of the 14 (!) song album it also teaches 24-7 Spyz history. Heavy Metal Soul 4 Life is the description coined by the band itself for their music and I think it reached a new level of perfection on Fa...

Music is an important piece of my life. Only my family takes priority over music. Sometimes it means that working to support my family comes before music. But in my mind, there is always music playing. It can be a song I started to write, the brand new song from fill-in-name-here or an old album from my collection. Music is a language and full of stories. Last weekend I was blessed to share some of these stories with someone who was involved in making the music of those particular stories. As I probably pointed out one too many times already, the early 90s were a very active musical period for me, playing as well as listening. The rock music scene was alive with bands that were blending all kinds of different styles. Those were challenging and interesting times. While the industry was busy finding labels like crossover, funk-metal or rap-rock to categorize (and market) these bands and there music the bands were busy finding their own way to earn money and spread their music. One of the...

When MTV started broadcasting music videos in the 1980's, a lot of people cried foul because it was going to kill the radio star. Someone even wrote a song about it. But did it really? Was it not just another revenue channel for the artists that were already played on the radio anyway? Or did the radio stations fear loss of income because of the new competitor? It could have been the perfect opportunity for them to redefine themselves and distinguish themselves from their visual counterpart. It could have added to the diversity in our media landscape and increased the exposure of lesser known bands and artists. Video didn't kill the radio star. Marketing kills music and it keeps chipping away at it until today. Advertisers bring in the money. In order to get advertisers you need many listeners on the radio. To accomplish this, most radio stations play the same music by the same artists that are popular. Record companies supported this model because the return is greater if you ...